WOW #40

Music Staff

Ladies and Gentlemen, I give you the most useless Word (Of the Week) in the English language.  It is

SOLMIZATION

Music. The act, process, or system of using certain syllables, especially the sol-fa syllables, to represent the tones of the scale.

Solmization comes from French solmization, a derivative of solmiser “to (sing) sol-fa.” The system of solmization is attributed to Guido of Arezzo (c995-1049), a Benedictine monk from Arezzo, Tuscany, who also invented the staff notation used in Western music. Solmization entered English in the 18th century.

While the system is used thousands of times a day, I have never heard of it being identified or given credit for by this name.  The act, or process, which Good Old Guido developed/invented/applied, occurred exactly once – never previously, and never since.  This is a definition which Jim Wheeler will probably dislike, because it’s a one-off.

Somebody had to go to the trouble to come up with a label for a thing which occurred with the same frequency as those infinite monkeys, banging out Shakespeare on infinite typewriters.  (You’d think that somebody’d give them word-processors and keyboards these days.)  I’m not surprised that it came to English through the surrender-monkey French.  They’ve got lots of time to sit around, eating snails and mouldy cheese, and being pretentious.

I may have to give my Word-program Spellcheck a slap upside the head.  Whenever I type in this word, it insists that it should be ‘solmisation’, even though my dictionary site spells it with a Z for both British and American English.  As noted above, even French spells it my way.

I’m going to spell it ‘lazy weekend‘, but I’ll see you back here Monday, with the next A To Z Challenge letter.  😀

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Book Review #12

cymbalum mundi

This will be a review/discussion of a somewhat older book with the odd, Latin title of Cymbalum Mundi. First, let me just say that if, like me, you ever get a chance to read this book….DON’T!

Some time ago, I published a post about how The Church, at the beginning of the Renaissance, made torture a competitive sport, offering rewards, both secular and spiritual, for winners. Jim Wheeler made me aware of a book titled A World Lit Only By Fire, a history of the excesses and hypocrisies of the time.

I obtained it by asking for an inter-library loan. Within its pages, it mentioned another book which listed and mocked certain Church practices.  Always willing to learn more of the failures of the best of the Good Christians, when I returned ‘World’, I requested another special loan.

This book was written in 1537. The title is in Latin, because back then, all serious works were written in Latin, so that educated people in different countries could all read them.  I requested an English translation.  Two weeks later, I got a call to pick it up.  I left the wife in the car, and when I brought it out, I tossed it into her lap.  Fortunately, before I got out of the parking lot, she asked, “Do you read French?”

The author was a Frenchman named Bonaventure Des Periers. While he titled it in Latin, the original text is all French.  I might get the gist of a current French document, but not the detail this book required.  I immediately returned it, and the Library Lady told me, “You should have told us you wanted an English version.”   👿

Two weeks later, I got another call, and carefully checked it before taking delivery. The French copy came from the University of Waterloo, 5 miles north, in our twin city.  The second, English copy, also came from U of W.  I’ve personally borrowed from Wilfrid Laurier University, our neighbors’ second, smaller school, but let the librarians do the work on this one.

The Book – Cymbalum Mundi [The Noise of the World]
(The anticipated applause of his adoring readers)

The Author – Bonaventure Des Periers

The Review – I don’t know what I expected to get with this book, but I didn’t get it. It came with 4 pages of Foreword, 28 pages of Introduction, 5 pages of Notes, and 4 pages of Literary References – and none of it actually explained only 74 pages of allegory and allusion.

It consists of five small segments, beginning with a fake letter to a fake friend, explaining how he carefully translated this from the original Greek. This is followed by four small scenes from a Shakespeare-like play; only, A Midsummer’s Night Dream is lucid and crystal clear, compared to this.

Jupiter sends his son Mercury to Earth, to have an old book rebound. He falls in with three brigands who steal the book from his bag, by replacing it with a worthless book, the same size and shape, while they are drinking at an inn.

NOW:

Does Jupiter represent God?
Does Mercury, the Messenger, represent Jesus?
Is the book Mercury brings, the tattered Old Testament?
Does the new, rebound book represent the New Testament?
Are the thieves the rulers of the Church, who steal The Word, to sell to the masses and enrich themselves?
Is the fake book they substitute, the code of rules the Church uses to control the laity?
Is the hostess of the inn a stand-in for the Virgin Mary?
Is the real food and wine she serves them a denial of the Doctrine of Transubstantiation?

The problem is, he never actually says. One well-known historian, with a pile of evidence, says yes, while another, just as renowned, and with as big a pile of proof, says the exact opposite.  You can ‘make’ this book say anything you want it to.

I had hoped that it might show more of the excesses and failings of the Church. What it shows, is the tap-dancing necessary for any writer of this period to present some doubt, and cause people to think, without ending up chained to a post, tap-dancing on a large bonfire.

It was interesting, and in the end educational, but not really fulfilling.